Category: Article and coverage

  • Flat D, 6/F, Aldrich Garden

    CASE – Project Space of Photography, Academy of Media Arts Cologne
    18 Jun 2015– 22 Jun 2015

    Text by Anthony Yung

    Flat D, 6/F, Aldrich Garden’ is the title of this exhibition but also the artist’s home address. This implies a doubleness: an address is functional and indicative – as a concept, it is most commonly understandable – but at the same time it is also meaningless because it is not meant to help you to find the place, as for the audience of this exhibition it refers to a place so far away that it may as well not exist. Such a conceptual doubleness epitomizes Silas Fong’s artistic project in temporal experiences and psychological activities – things that are utterly personal, yet also entirely common.

    The address is also giving us hints with which to understand the exhibition: first of all, it brings us to Hong Kong. A global financial center built first by manufacturing industries (the predecessor of ‘the world’s factory’), then by financial-trading freedoms, the city likes to evaluate its business and its people in terms of productivity and efficiency. In this society of pragmatism, wasting time is no different to burning billnotes. Growing up here, people pick up an almost ethical obligation to spend time in the ‘correct way’, and for the younger generation to not do so is a major rebellion. With this context in mind, Fong’s works are actually a research on sheer unproductivity, on the moments that we learn to feel guilty and negative about. He questions if these moments really are worthless and whether our personal histories are not in fact constituted within all these ‘ahistorical times’.

    The address also brings us to Flat D, a piece that was first shown in the Hong Kong Art Centre in 2015. There, Fong had taken corner of the exhibition space and reconstructed it into his bedroom at home. He then invited visitors to spend ten minutes in this room. With the time set to precisely 10 minutes, and the fact that there was not anything at all in the room to look at or contemplate, visitors could do nothing but go with whatever came up their minds. Coming inside Flat D, their plans, their experiences of the day were interrupted, though voluntarily, and now they had to stop and think about the interrupted. Eventually, the piece provided an experience and a question: what does this interruption, these ten minutes that are cut out of our life, mean to us?

    Three other pieces within the exhibition (Work Report for Museum Ludwig, Attendance Report for Academy of Media Arts Cologne and Passenger Report for Meinfernbus) can be seen as elements of ‘fieldworks’ relating to such research – with pictures and texts, he documents the activities of his mind during long hours undertaking internship duties in a museum, attending classes and taking long bus rides. These records may remind us of the typical texts of ‘stream of consciousness’, in particular Camus’s Outsider, but literariness is not Fong’s main concern here. What he tries to explore is the common rather than the unique – he wants these records to remind us of our own experiences. Think about it, we all talk to ourselves during moments of boredom and distraction, when in our minds words start to flow randomly, unbounded from social norms (manners, ethics, and so on) and a chain of memories appears, no matter how irrelevant they are to the things immediately surrounding us. Using the artist’s own experiences as case studies, these pieces ask us to pay attention to these conversations we have with ourselves.

    Even two years ago, Fong was already a considerably experienced artist. Coming to ‘study’ in Germany, what is the most precious to him is perhaps not the new information to even methodologies, but the unfamiliar environment, a sense of distance and indifference that provokes thoughts and experiences. For as we can tell from these works, the core theme of Fong’s practice is an inevitable loneliness, and art is a tool to process and transcend it and make us understand ourselves better. In this sense, we may see the last work in this exhibition as a beautiful metaphor – Afternoons (2015) is a series of books, but books with no words, no knowledge, no ‘history’ – just the sunlight that changes as time goes by. It symbolizes what Fong attempts to create with art: a sensitivity to the subtleties of our time and our mind.

    德國科隆媒體藝術學院CASE攝影項目空間
    2015年6月18 – 22 日

    文章 – 翁子健

    「愛蝶灣6樓D室」是方琛宇這次展覽的題目,但也是他家的地址。這個雙重性的意味在於:作為一個普通的概念,地址是功能性及指示性的,但以這個地址命名一個在科隆發生的展覽,這個地址便不再有任何實用意義,因為作為題目它不是為了讓人去尋找這個具體的地點,對於觀看這次展覽的人來說,甚至這個地點是否存在也不要緊。這種雙重性正是方琛宇創作中的核心命題:那些既是完全私密的、又同時極盡人所共知的事。

    這個地址當然也是一個提示,幫助我們去理解這個展覽:首先,它指向香港,全球金融中心,曾經的「世界工廠」的大腦,以貿易自由聞名,一個以效率和生產力作為最高評判標準的地方。這個務實的社會篤信時間就是金錢。在這兒成長的人自然而然地帶有一種道理的責任感:必須以「正確」的方式利用時間,而浪費時間就是一種反叛。從這個角度看,不妨將方琛宇的創作理解為一種對反生產力的研究,是對於那些令人罪疚和難受的不事生產的時刻之探討。他的追問是:難道我們的個人歷史不是由無數的這些「非歷史性時間」構成的嗎?這些時刻怎麼可能會毫無意義呢?

    這個地址也指向《D室》,那是這次展覽上的一件作品,2015年在香港藝術中心第一次展出。當時,方利用了展覽的一個角落,將之改造,仿製成自己家中睡房。展覽期間,他邀請觀眾每人獨自在房間內等待10分鐘,房門鎖上,任何計時工具都不得帶上。觀眾知道他將會在房中等待10分鐘,但是房間裡沒有任何值得一看的東西,他們只能把注意力放在自己的頭腦內。他們的日程計劃,他們的體驗,好比是突然被中斷了一下,儘管他們是自願參與這件事的,但是他們也不得不停下來,面對這個中斷。這就是這個作品的核心命題:這個沒有理由的中斷,這10分鐘裡的發生的事情,它意味著什麼?在未來我們還會記得它嗎?

    當下這次展覽的其他三件作品可被視為方的研究之考察素材。他以圖片及文字記錄了他在美術館實習值班時,在上課時,和在長途巴士上的心理活動。這些文字可能會有點像經典的意識流小說,尤其是卡謬的《局外人》,但是文學性不是方關心的問題。方要探討的是一種普遍的東西,而不是一些特殊的私人經驗。試想:在沉悶和分神時,我們是否都會在頭腦裡跟自己說話?我們都跟自己說了些什麼?這些話是偶然的嗎?它們為什麼會出現,為什麼會這樣出現?它們可能還會出現得毫無約束,不顧任何社會的基本禮儀和道德。與當下情境毫無關係的記憶畫面也會浮現,我們都不知道此事此地為什麼會想起這些事。方以自己的經驗,希望探討的正是這些我們自己跟自己的對話。

    在來德國兩年之前,方在香港已是一位受到認可、有相當經驗的藝術家。對他而言,來德國讀書,最重要的肯定不是獲取新的資訊和方法,而是對一個陌生環境的體驗,一種距離感和冷漠感,因為孤獨正是方最感興趣的感受之一,他的創作也往往旨在處理及轉化孤獨,以達致對自我的更深刻的理解。從這個角度看,這次展覽的最後一件作品《午後》真可謂是一個美麗的比喻:《午後》是一本沒有文字,不記載任何知識和歷史的書,書中只有陽光的映照,隨著時間轉變形式。這大概象徵了方的藝術創作之要旨:自我對於時間和心靈的最為細緻的感受。

    Exhibition view







    Working Report for Museum Ludwig







    A photo of Flat D



    Passenger Report for Meinfernbus









    Attendance Report for Academy of Media Arts







    Afternoons












    Exhibition Catalogue








  • Flat D, 6/F, Aldrich Garden

    Anthony Yung

    Flat D, 6/F, Aldrich Garden’ is the title of this exhibition but also the artist’s home address. This implies a doubleness: an address is functional and indicative – as a concept, it is most commonly understandable – but at the same time it is also meaningless because it is not meant to help you to find the place, as for the audience of this exhibition it refers to a place so far away that it may as well not exist. Such a conceptual doubleness epitomizes Silas Fong’s artistic project in temporal experiences and psychological activities – things that are utterly personal, yet also entirely common.

    The address is also giving us hints with which to understand the exhibition: first of all, it brings us to Hong Kong. A global financial center built first by manufacturing industries (the predecessor of ‘the world’s factory’), then by financial-trading freedoms, the city likes to evaluate its business and its people in terms of productivity and efficiency. In this society of pragmatism, wasting time is no different to burning billnotes. Growing up here, people pick up an almost ethical obligation to spend time in the ‘correct way’, and for the younger generation to not do so is a major rebellion. With this context in mind, Fong’s works are actually a research on sheer unproductivity, on the moments that we learn to feel guilty and negative about. He questions if these moments really are worthless and whether our personal histories are not in fact constituted within all these ‘ahistorical times’.

    The address also brings us to Flat D, a piece that was first shown in the Hong Kong Art Centre in 2015. There, Fong had taken corner of the exhibition space and reconstructed it into his bedroom at home. He then invited visitors to spend ten minutes in this room. With the time set to precisely 10 minutes, and the fact that there was not anything at all in the room to look at or contemplate, visitors could do nothing but go with whatever came up their minds. Coming inside Flat D, their plans, their experiences of the day were interrupted, though voluntarily, and now they had to stop and think about the interrupted. Eventually, the piece provided an experience and a question: what does this interruption, these ten minutes that are cut out of our life, mean to us?

    Three other pieces within the exhibition (Work Report for Museum Ludwig, Attendance Report for Academy of Media Arts Cologne and Passenger Report for Meinfernbus) can be seen as elements of ‘fieldworks’ relating to such research – with pictures and texts, he documents the activities of his mind during long hours undertaking internship duties in a museum, attending classes and taking long bus rides. These records may remind us of the typical texts of ‘stream of consciousness’, in particular Camus’s Outsider, but literariness is not Fong’s main concern here. What he tries to explore is the common rather than the unique – he wants these records to remind us of our own experiences. Think about it, we all talk to ourselves during moments of boredom and distraction, when in our minds words start to flow randomly, unbounded from social norms (manners, ethics, and so on) and a chain of memories appears, no matter how irrelevant they are to the things immediately surrounding us. Using the artist’s own experiences as case studies, these pieces ask us to pay attention to these conversations we have with ourselves.

    Even two years ago, Fong was already a considerably experienced artist. Coming to ‘study’ in Germany, what is the most precious to him is perhaps not the new information to even methodologies, but the unfamiliar environment, a sense of distance and indifference that provokes thoughts and experiences. For as we can tell from these works, the core theme of Fong’s practice is an inevitable loneliness, and art is a tool to process and transcend it and make us understand ourselves better. In this sense, we may see the last work in this exhibition as a beautiful metaphor – Afternoons (2015) is a series of books, but books with no words, no knowledge, no ‘history’ – just the sunlight that changes as time goes by. It symbolizes what Fong attempts to create with art: a sensitivity to the subtleties of our time and our mind.

    ‘Flat D, 6/F, Aldrich Garden’ is a text written for the exhibition with the same title.

  • Happy in Hongkong, ein Exkurs in sieben Kapiteln

    Media. Das Magazin
    Date. 2013-05-17
    Page. 13
    Text. Sven Behrisch
    Image. Simon Wheatley

    http://blog.dasmagazin.ch/2013/05/17/aus-dem-aktuellen-heft-11/

    The Text Below are translated from German to English by Google translate


    FASTER. HIGHER. POETS.
    For the first time, the art world meets next week at Art Basel in Hong Kong. No wonder the city is of the incredible dynamism of Asia like no other. A portrait of the metropolis of seven perspectives.
    Text Sven Behrisch
    Pictures Simon Wheatley

    Prologue: The Master
    The gate with the swastikas is wide open, behind two trees with huge leaves shade the square before the temple. A lion guards the portal to the threshold may not replace it, because that’s bad luck. Heavy smell of incense hangs in the air, and in tall vases are lilies and sunflowers.

    After he has eaten his noodle soup, shown on the iBook the holiday photos, ignited three incense before the deity Yin and petted the cat lays Master Lo his Calvin Klein suit jacket over the chair and comes to the essentials to speak: the waiver and the Qi. The Qi is everything, the air force. You do not need more. Not all the shopping malls in the city. For what is the city?

    “First, the temples were. Then nothing long. “Then the British came with their brick houses. Both temples like colonial houses, small act today, “are almost impossible to see, overwhelmed by the skyscrapers. Then came the money. “It also came to the temple. “Not in my temples, but in the others. If you ask for advice there, they give you a table like a menu, and when you say your wife does not like you anymore, it costs so and so much. “Come often the case with the women. “Then the Chinese came. In the district over Canton in China, they have recently killed 200,000 turkeys thrown because of bird flu, and in the river that the fish are croaked. »The dead fish then came out here in Hong Kong, at the mouth of the Pearl River. Between Hong Kong and China – but not only there, one had to know – everything always depends on everything else, including the teaching Qi. “Seven sins of the Christians? We have twenty-eight gods. Divided by four is seven. You see, it all depends on getting along with everything. “So Master Lo said.

    1 The case
    Because they have the flyer, Pearl Lam runs out of the room, then it does a bang. It lies completely flat on the ground, surprisingly far away from the concrete block by Scottish artist at her gallery, she flew over the. She just has not told the Hong Kong would become completely disoriented as to whether they belong to the West or China.

    With its many glamorous parties in their apartments in Shanghai, Paris, London and Hong Kong and their two, soon three galleries in Asia, Lam has become one of Hong Kong It-Lady – for an it girl she is a few years old. Everything screams at her, their rough, over breaking voice, her purple hair that resembles a mop under power, even their squiggly desk with bold monogram. On her right arm emblazoned eight massive rings, a thick neck hickey. The fall she has survived. The orientation, she says later, slowly coming back.

    Her parents, who are among the richest property tycoons the city, they sent at the age of eleven to boarding school in England, then they should study accounting, she was not interested, but they did. She decided never to return to Hong Kong. In 1993, four years before the handover of the British colony to China, she returned yet. “We are an old Hong Kong family. But we are also a Chinese family. This means that you belong to your parents, as a property. You do what they want. This has nothing to do with my family in particular, which is the normal case. I wanted to open a gallery. My father said: I have sent you a decade to study abroad, and now you come back and want to be a peddler “?

    With the Great Depression, the 1998 Hong Kong hit, the parents had a good argument, to force them to serve the family. 2000, there was the Internet bubble bursting it. The region was on the ground, the crisis hit Southeast Asia, Korea, Japan, Thailand, Taiwan, not China only. “We were Hong Kong until then very proud that our economy was independent of China. We negotiated with the whole world, but not with Beijing. We have, I have despised China. It was incredibly difficult for the Chinese after the handover to come to Hong Kong. As they were then, in the expensive stores to shop, we have all the sellers themselves, they simply ignored. “

    When the banks schwächelten and unemployment went to the altitude, the strict boundary rules were softened. Chinese mainlanders, as they call the Hong Kong could now easily enter, and they did. The thousands. They bought houses, companies, watches, cars. They did not change the legal system, which was laid down by the British to fifty years, until 2047, but everything else. Hong Kong was of an international trading center for China’s business center. The city says Lam, is the largest financial center in Asia, but completely dependent on the economic well-being of China. This dependence has brought the city a giant flower, and the contempt for the Chinese is thus given way to hatred, however. “We are one Hong Kong Chinese identity problem. We are not British, and we are not Chinese. We knew sooner not know who we were, but we knew after all that we were better than everyone else around us. “

    The first hint of a Gemeinsamkeitsgefühls then it has been to the Olympics. “China was there very proud of it, and because we also had a part in the equestrian, this has transferred somehow.” Not at all, but to many, through their business in and with China, the country that gives them up to date not only foreign, but also care was met. “I’ve always told everyone: I’m Hongkongese, not Chinese, because I was so proud of it. But the more I learned about China – I had read no line Confucius or Lao Tzu – the more I was proud to be Chinese. That was a long way until I realized. There is such a rich Chinese tradition, and from that I am also a part of »

    The Chinese artist they had converted. She fell out with her parents and opened a gallery in Shanghai. She sees herself as an ambassador of Chinese culture, but too much work placement they must not make: people buy “Now how crazy calligraphy and Chinese porcelain, and why? Because they want to buy back their history, because they have realized that they belong to China. Or at least they have accepted that we have to get used to each other, because in 33 years we will just be another city in this vast country. “

    It has become downright chic for many Hong Kong to have a Chinese passport, which is harder to get than a Japanese or American. Twenty years ago, the Chinese have been begging for a visa to Hong Kong, now it’s the other way around. And something has reversed: the former Proud to be part of the West, has been reversed in parts of the Hong Kong elite in disgust. “We’re already so far that we have fully adopted the Western way of life. Go into any house here. You will find only western furniture, western clothes, and at night there is spaghetti. “

    2 The faces
    The apartment in which Silas Fong lives with his parents, has about 55 square meters, in Hong Kong so that the entire base is meant, ie including the walls. It is located on the sixth floor of a 26-story apartment building on the northeastern edge of Hong Kong, Iceland, in Shau Kei Wan. The father works as a driver for the board of a large company and just makes holidays in Vienna, Prague and Budapest. His last vacation is back ten years when he was in Paris and Rome. Until two years ago and lived with his brother in the apartment, then he moved and got married, and he has learned IT engineer, soon he will have paid off his home. Silas is 27, single and professional artists. He has no regular income, not on saving his own apartment and has no plans to marry. His parents, he says, live with the accusation on themselves, but there is something very wrong with him gone. Silas at his age still living at home, however, is normal. Sons usually live as long at home until they have saved enough money to move into a private apartment, and until they marry – which one caused the other principle. Because the daughters in turn will not last as long given by their parents out of hand until the man has secured its financing. Silas praised his parents, he considers it liberally. You have not forced him to study economy, yet sent away in disgrace from the house, as he knows of the friends that do not meet the standard. Because the most important rule that prevails in Hong Kong, says Silas, loud: “Take thou and always do what everyone else is doing well. Otherwise you will lose your face. And that’s the worst. “

    To save face, you have to show generous towards guests must buy things that others have, whether you like them or not. It does not contradict, especially any authority, because his true face against a supervisor can only do that if this does not incite his part to lose face. To face the truth of it, not to see the other in the eye part. But one does it, the other looks away first, then he gets mad. The Silas irritated. Faces have so impressed him that he has made it his job to look at her. He fixed strangers in the subway has stopped the elevator in his house on each floor and filmed as the people were more angry with each floor, he films people on the escalator, while resting on a bench in the bus – wherever they feel unobserved and perhaps put their big city mask.

    Every morning he gets into the bus. On the expressway that leads on stilts over the water, pulls right over Kowloon, Hong Kong, part of which is on the mainland, on the left you can see the gorges of the residential towers in which live millions of faces, Silas’ work material. Previously this was a fishing village, but the city has piled up hundreds of acres of land to get new, much-needed housing.

    After half an hour’s drive Silas has arrived in the studio in Causeway Bay. If there is an increase of all the giant shopping malls that make up the city, then you can find them here, where hundreds of thousands are pushing every day between cosmetic, fashion and jewelry shops. With a beer in hand, Silas relies on a low wall in Times Square and looks. About half of those who push past laden with shopping bags, he estimates come from the mainland for shopping. The Chinese, says Silas, are not so easy for the layman to distinguish from the Hongkongern as it was a few years ago. This is about nuances – the men went rigid, wore black dress pants and vertex, are a bit smaller, they also smoked more and spat. The women, however, all have one thing that they always look so presumptuous.

    Satisfied with the face of the day makes Silas yield on the rooftop of his studio building another beer on. On the one hand, he sees the “Peak”, as they call the mountain, the 550-meter steep rises behind the skyscrapers in the clouds, and on the other hand, at the end of the row of houses, the racecourse, a legacy of the British. Over all, the fog, or smog, like the incense wafting in the temple. At dusk Silas returns to his narrow home, in the room with the table and four chairs, a sofa, a wardrobe and a plasma TV. Kitchen, bathroom and three bedrooms each measuring about four square meters. The interior walls are very thin. A girlfriend to take home is unthinkable. In such circumstances, Silas has purchased a sofa in the studio. Earlier, he dodged to the stairwell. There it is cold, but at night they were then usually alone, apart from the smokers and the old people who burn on the steps of gifts for their dead relatives.

    3 Hell
    The business, which is on the way Kit Hung, has focused on two things: marriage and death. In Taoism, it is customary on certain days in the year to send the deceased to the afterlife items that will make their lives more comfortable there. The shipment is made by burning these things. The better they burn, the more likely they arrive at the receiver, which is why everything is made of paper. In the shop near the Lok Fu station in Kowloon there are watches, suits, rings, chains and “Hell Money” Money for hell. One can find phones of paper, multi-family homes, skyscrapers and airplanes Offerings, Louis Vuitton bags and the iPhone 5 There are eighteen levels of hell in which we as a rule does not stay forever, but a sufficiently hard life before regeneration maintains that one can use a little physical comfort. Taking it for a Hong Kong says kit, already must be hell, not to shop.

    Not that Kit Hung an expert in Chinese superstition would be, but in his new film will play a role in the issue, so he has researched. It will be his third film. Again, it’s about the search for identity. A daughter returns after six years back home to tell her parents that she will marry her Swiss friend. Parents who can not talk her out of the plan to arm themselves, as best they can with traditional practices against the stranger in the family. Married is finally in Europe – whether that will be in the film in France or Switzerland, it still depends on which country puts more money into the film promotion.

    For the wedding, the bride’s mother bought in the store for marriage and death needs a comb, a mirror, two bars and a ruler to measure the future grandchildren. Before the wedding the bride is sleeping with these utensils under the pillow, in the morning before she slips into her red dress, but there starting your pajamas, where they spent the night. If it does not, which is bad for marriage. It is also good for the box office – Taoist rituals, like everything Traditional come in well in the Chinese movie market.

    After his two first works, experimental cinema rather difficult, Kit Hung is now looking to the wider audience success. For the first time it’s not about the Hong Kong gay scene. Kit is gay, married to a Swiss – they are registered as the second gay couple in Altdorf in Uri. Soon he wants to move there, before he has to complete his work. It is a musical, like the producers, and before shooting begins, he is, as always, a few hours folding paper boats that require its employees to make the gods weighed. If he does not, the crew runs away from him – for fear of being hit by a lamp or to fall from the ladder.

    Anyway, it was not easy to come by good people. The great times of the Hong Kong film were the seventies, as on every street corner, a martial arts movie was shot and the city rose to become the center of the Asian film. Held, however, had the sense of the supernatural, with the kung-fu hero like Bruce Lee were equipped as standard. This sense has kept especially for architects. “Hong Kong is the most pragmatic city in the world. It’s all about making money as quickly as possible, as directly as possible. But when another skyscraper is placed in the skyline, giving the builders millions on feng shui consultant. “They make sure that the flow of energy, the Qi, right through a building and there are no stoppages or jams. Some skyscrapers have holes, others are weird angle in the landscape. Almost all of the fourth floor is not counted because the number four means death.

    The road trains, in which the small business is located, are among the few who have remained spared from the construction boom, with small vegetable shops, pawn offices and the street premises for the bubble in large boilers intestines, tripe and other offal wrapped in brown sauce. The somewhat secluded area near Lok Fu was a few years ago a kind of slum. Drugs, black market and crime flourished largely unheard in the roar of the planes that fell on the Kowloon Airport, once the most dangerous airport in the world until a few islands to the west of Hong Kong had to believe land was filled in and a new airport was built. Today the area is clean as the rest of the city, the streets are squeaky clean. Around the already growing thin needle residential and business towers in the air and come closer and closer to the old quarter. Hong Kong thrives on building, some say it is because perish.

    4 The business model
    In the conference room of the law firm Winston Chu to twenty, thirty moving boxes stacked with records of the proceedings so far last, to have won again against the Government of Dennis Li and the founder of the law firm, Winston Chu. Concerned about the welfare of a score according to Chinese tradition almost submissive interlocutor, Li shows to authority, is very un-Chinese, relentless. “The Government of the Hong Kong Special Administrative Region,” says Li, “is essentially a real estate company. Unfortunately, you have to force it by force, move away from it. “

    Hong Kong merely denies its revenue at a fraction of the income tax, which is about seventeen percent, and more theoretical maximum. The city earns money by providing land and leased it. The rush of Chinese investors has already made the real estate prices and rents among the highest in Asia, maybe even the world. Because space is extremely limited for the seven million inhabitants, the demand of mainlanders for homes, offices and real estate investments but is increasingly strong, the government and their boss who consequently Chief Executive means the economy Hongkong, decades ago it laid, the sea wrest land and artificially aufzuschütten. Even the British did so in the 19th Century began. In recent decades this practice has increased excessively. Alone until 2000 were added 62 square kilometers of land, equivalent to four times the area of ​​Geneva.

    Li demonstrates the latest case in a photo hanging on the boxes on the wall. It shows an aerial view of the central part of the coast of Hong Kong Iceland with the districts of Central and Wan Chai. Excavator rank well on the hundred-meter-wide strip of sand was heaped up with the argument that the better build a relief road for the overburdened road network in the underground. The site itself should be land for offices and luxury hotels. Li complained, because he saw an injured law, which referred to Victoria Harbour urban coastal area between the island and the opposite Kowloon country can only be gained if it serves the public good. The Supreme Court saw this as well and determined that the heaped area would be made available to the public as a park and decreased from 380 to 23 acres. Gritting his teeth, the government had to give in, as in 2003, when she thanks Chu and Li ever had to forego revenue on 200 acres and thus to many billions. Chu, who had established a foundation to protect the Victoria Harbour joined a little later by the Chair of the Foundation back because his family was threatened.

    The waterfront area is of course the most expensive, so the government has an interest in ensuring that more and more land is piled up right there, to have a view of the skyline. “In Hong Kong, between a property with and without sea worlds, ie: millions.” But not only the coastal area, all ground in Hong Kong actually belongs to the government. “Even where we are now. You can buy land in Hong Kong only to certain time, so actually lease. Then it goes back to the government. This applies to the whole country, with the exception of Hong Kong St. John’s Cathedral »A fact Li stated emphatically -., He emphasizes the fact that he is a” devout Catholic. “

    The financing model of Hong Kong by getting new land reclamation had gone a good long while, but it was also all been clear that it had to be changed slightly with time. “If we had done so on, the sea would be only one channel, a flow between Hong Kong and Kowloon Iceland on the other side within a short time. The port is Hong Kong, Hong Kong’s harbor. <Hongkong> Means <duftender Hafen>. We need fresh air. The port is the lung of the city, and everyone needs fresh air to breathe. “Air pollution in Hong Kong is already one of the highest in Asia.

    But much more persistent than the asthma in the lungs of residents held in Hong Kong had the attitude that it is wrong and harmful to tangle with the authorities. “We have a saying: The poor people never fight against the rich people. And the rich people never fight against the government. I was once invited to dinner by a group of businessmen. They told me: <Dennis, we support your project so wholeheartedly, but we can not openly oppose the government. Do not be in trouble with the government, Dennis, is detrimental to business> But over the years, especially after the handover, some deliberately.. This is now our country »If Hong Kong is no rule of law, which they have inherited from the colonial masters, Li had, as in China, had no chance with a lawsuit.

    “Of course, all fear that it will look here at some point, as in China. The judges are appointed already practically from Beijing. I still know most of them and put my hand in the fire for them. But China will over time try to use judges who speak the same language as the Chinese leadership. »The Influence of Beijing will gradually larger, barely noticeable, but still visible. On the new hundred dollar bills the Chinese flag is seen for the first time. Very small even for acclimatization, but already there. “Hong Kong of China speaks as his laboratory. Here they experiment with democracy, participation gradually lead and then see how it goes. It’s clear to everyone that they can not introduce democracy overnight, for billions of people. “

    The experiment was, however, failed land reclamation. “We say if you need so much new housing and work, let them go into the New Territories.”

    5 Land and People
    Strange wild acts as the land between the pristine hills in the north of mainland-Hong Kong, only from time to dive in confined solid ground, sky superior to satellite towns, such as islands. It goes past Fo Tan, the former industrial district, where once all the toys and sweaters were made, the “Made in Hong Kong” made a synonym for cheap goods before the factories migrated to China in the eighties. Then comes Tai Wo, which is halfway from Central Hong Kong to the Chinese border, twenty kilometers from here. After half an hour’s drive into the green New Territories one might have expected to get off at a small station in a market place. However, like any MTR station, whose name “Mass Transit Railway” is a day in the face of two and a half million passengers with suitably chosen, and this is a gigantic shopping mall.

    Kwan Sheung Chi lives with his wife and two gray tomcats in a two family house on the outskirts of Tai Wo Its Japanese designer furniture go a little under where to small living room and next to the voluminous chair without legs, who, however, no chairs, but a fully automatic foot massager – one of the many essential electrical appliances in a household Hong Kong. Like most also attracted out of town in the New Territories, to afford the rent, also because of the peace and better air. That they move into the area of ​​operations of the Hong Kong Mafia, they had not expected, however.

    If you walk from the house toward the river, where some of the houses are one-story stone with large transom windows, you can see all the bamboo scaffolding, which are raised here as the lower but also the high-rises further back. But not for all – in contrast to Iceland and Hong Kong in Kowloon, it is possible in the New Territories to have their own land and to build up to a certain size, it also explains Chi. This privilege applies only to those living in the Territories for at least fifty years. This has two reasons. First, it is in the Territories in another country right questions, because they were added later to the British Crown Colony. 1898 leased it for 99 years, the country of China, which had grown over time so indivisible in Hong Kong that the British in 1997 not only the Territories, but also Kowloon and Hong Kong Iceland gave back to them, even though they absolutely should not have had to.

    On the other hand, there were various stages of immigration from China to Hong Kong. 95 percent of the people of Hong Kong are Chinese stocky. On a small bridge over the river Chi shows an inscription that recalls the Chinese settlers made this place arable. The largest influx there was during the Chinese Civil War, which raged for 22 years until 1949 and ended with the victory of Mao’s Communists over the Nationalists under General Chiang Kai-shek, who fled to Taiwan and established the Republic of China. Inferiority were the Triads, an organized mafia gangs in association to flourish under Chiang Kai-shek took refuge after his defeat to a large part of Hong Kong. Tens of thousands of Triad members came back in the colony in which they soon controlled the drug trade, prostitution and the police. Many settled in the New Territories, and there has since enjoyed special rights.

    Chi got to feel these special rights when he protested against the demolition of the nearby village of Choi Yuen, which will give way to a new MTR station. The station would be better invested elsewhere, but a landowner did not want that, so the fifty farmers had to believe that enjoy no land rights. Never, says Chi, the government would mess with one of the landowners, because the network is large and extends to the tips of politics and administration.

    Behind a poster with a grinning real estate tycoon increases chi in the body shop of an apartment building, very close to his house. As soon as he is inside, a man comes running, the yelling at him and asks who he sniff here. That, says Chi, was one of the men in the Triad area. He lives in the same village, and all know that he is building this house illegally. The authorities do nothing to him, you should not mess with him. “Today, they no longer shoot, but they have other methods. The most painful that exist in Hong Kong, is to throw someone out of his apartment. “Because rents are rising and rising, and also make it the Triads.

    Meanwhile, after hours of bloody gang fights, the Triads have learned and cooperate instead of fighting. Scotland Yard, it is one of the biggest criminal organizations in the world, with headquarters in Hong Kong. Worldwide wrap and protection money from drug stores and earn billions. Hong Kong is an ideal place for people who have the problem of having too much money.

    6 On horseback
    It’s not just about being on a Wednesday evening in Happy Valley it, it’s about where you sit on a horse race at the Oval stadium of the competition. Whether on the ground stands for ten Hong Kong dollars admission – a twenty francs – whether in the Adrenaline bar with cocktail catering for 400 Hong Kong dollars, or in the VIP rooms for members, where it is a bit more expensive, strictly speaking 400 000 Hong Kong dollars plus an annual fee of 20 000 But these are all still peanuts. After all, some would give anything to be in the right places there.

    The Hong Kong Jockey Club, which operates the racetrack in the city and another in the Territories, is not only the richest sports club in Hong Kong, China or Asia but in the world, with annual sales of approximately ten billion dollars in just 23 000 members. Real Madrid and FC Barcelona will be over 500 million. Pearl Lam who is familiar in the upper echelons of society, has the order of those who determine and Hong Kong, so named: in the first place, the banks, in the second place the Jockey Club, third the government. Where pretty much anyone who has power at HSBC or the government also has a membership card of the Jockey Club.

    Bill Nader is the head of the racing association. Six years ago, has him in New York, the request reaches to Hong Kong, and no question, he says, it was for him as pledge. He should Hong Kong, he says and laughs wide, and then he pulls the sleeve of his jacket long, from which protrude the cufflinks with the U.S. flag. Everyone in the racing business knows that the Jockey Club has the best race, the highest prize money and the fastest horses. This has two reasons: Firstly, the enthusiasm for horse racing has traditionally been large in Hong Kong, but in no small part because the Jockey Club has a monopoly on horse betting, next to the monopoly on football betting and for a lottery, and not only in the city but for the whole of China. Secondly, the association is so high hurdles for the prestigious membership – without you is not really arrived in the Hong Kong society – that candidates are willing to spend millions of dollars on the best horses, then, of the expense of the holder, in the stables Clubs are supervised.

    The really great thing about the club is but says Bill, “that there’s much more to drinhängt,” and that is certainly true. The association is in fact the largest taxpayer in the city. Would decrease the betting revenue and the club therefore pay less taxes, the taxes for the whole of Hong Kong would have to be increased, which in turn did not like the business elite, which in turn sits on the board of the association. In addition to the taxes of the registered non-profit association further assumes a large part of social spending in Hong Kong, funded kindergartens, playgrounds, schools and the university – a good argument not to touch the betting monopoly.

    If you had to draw an organizational chart of the city, the Tribune House of Happy Valley would offer the ideal template: In the middle of the eight floors sit Voting Members, an elite circle of decision-makers in Hong Kong, in their private boxes. Her interest in horses, as even Bill admits, is not necessarily huge, but on a race night are all nearby, with which it is to discuss things in peace, in the upper floors, with oysters, flown in from France Michelin chefs, feed the regular members, with spectacular views of the giant lying in glistening oval flood light, rising in the eight races this evening with a profit distribution to the winners of over seven million dollars. One floor below sit the horse owners. For them there is an express elevator specially built into the facade, so that they are after a race in time down to shake the hand of the jockey and receive a check for half a million. The name they give their horses about “Call me Achiever” or simply “trillion”, you realize the ambitions of this class of members or the fact that they still want to go where the other members who needed no horses, already are.

    The Chinese and expatriates: Finally, at the bottom, next to the thinning of overgrown grass peat railway, two varieties of Hongkongern who have almost nothing to do with each other in life mix. The Chinese tend to be older, have the newspaper with the race analysis on your knees and races between betting agencies and bleachers back and forth. The expats from abroad are in the majority whites, which are for a specific time in the city, mostly good money in banking or trading and feel in the beer garden atmosphere where in Heineken tents flows abundant stock, a little at home allowed. There are even fish and chips with beer.

    7 Pending
    Jin Wong sitting in front of a large basketball court Prada sign in the lobby of the landmark on the edge of a small fountain. The Landmark is among the myriad of shopping malls in Hong Kong, the most elegant and exclusive, even though there is only ever the same juxtaposition of Gucci, Louis Vuitton and Dior here. Jin has just returned from work, the “South China Morning Post”, as it makes the marketing for the education pages. She is wearing a mint green jacket, an aubergine – not, as she emphasizes, black – skirt and yellow heels. Jin writes the best blog of the city, he called Hong Kong Girl Talk. Most of the others are written by expats, and usually they are about how horrible it was to live in Hong Kong, and how stupid people were here. Jin does not write about how stupid are expats (although she thinks), they primarily analyze the herd behavior of young women.

    Women in Hong Kong, said Jin, are in a peculiar position: be confident and arrogant like princesses that men are afraid of them. They are good, often better educated. And yet only focused on a single goal: to make a good marriage as soon as possible, which is why she wore make-up, the skin pale and Hello Kitty Sew kittens to look like a cute girl. The parents supported by the forces. Although they want their daughters to go to university and study economics, but above all, so they get to know guys there. In love with a girl in high school, the parents saw not so much, but they give up her job because she has found someone who earns enough money that the hand perfectly fine. “The real problem is that the girl in such a focus on being ready for marriage, that they stultify it.” Jin speaks in short sentences, clear, determined and hard. She says: “I am just an ordinary Hong Kong Girl.” And maybe it’s the really.

    She is 24 years old and single, a combination which, as she says, although actually banned in Hong Kong, on the other hand also common. Unlike in the rest of China in Hong Kong sixty percent of women over forty percent are men, with a large proportion of men to women in China holding out because they simply do not earn enough to attract the interest of a woman from Hong Kong can. So Jin also waiting for a man she meets, and is also waiting on a man, as a being able to meet her. However, with the wait knows you are in Hong Kong, even Jin himself knows from excellent.

    On her blog she created a typology of waiting, divided into two groups. Once there is queuing for something you’d like languages, but they may not show up. As an example, she has photographed a line at McDonald’s, were distributed as a free burger. The people keep newspapers and iPads on the head, because it is bad manners to want something that costs nothing. You would lose his face. The situation is similar with the begging for the favor of a woman or a man. The other group, however, shows himself willing and smiling broadly at the camera. There are people that are waiting in front of a Prada store, as happens every Saturday at the Canton Road in Kowloon. Most are upcoming Chinese who fly for the weekend to Hong Kong to buy luxury bags cheaper without the high Chinese tariffs. But the crowd to mingle many Hong Kong. They are not, because they necessarily want to buy a bag, but because it is good and right to be here, where the money is because they give to understand it, to belong to the standard.

    So full, loud and hectic, the city is basically but its inhabitants are all waiting and standing in: the men with women, women with men, the Chinese shops from Hong Kong, Hong Kong before the Chinese business people. Pearl Lam waiting for her Chinese passport, Chi to justice in the New Territories and Silas might just be the next beer. Kit Hung waiting for the film promotion, Dennis Li at first directed verdict of Beijing. The Jockey Club they stand before the Oyster Bar, and Master Lo would say that everything is connected with each other. Because everything is qi.

  • 我們手中的香港藝術

    Media. U Magazine
    Date. 2013-05-24
    Page. 62 – 63 (Life + Weekend)
    Text. Ida
    Photo. 鑫


  • Hong Kong Eye

    Media. South China Morning Post
    Date. 2013-05-07
    Page. C7
    Text. John Batten

  • Surveying the landscape

    Media. 48 Hours (of South China Morning Post)
    Date. 2013-05-02
    Page. 13
    Text. Vanessa Yung

  • Media. Milk Magazine
    Date. 2013-04-18
    Page.
    Text. 林欣傑

  • 方琛宇:連續劇 (Sitcom)


    文 – Tony Zhou

    藝術論壇 2012-11-06

    藝術家方琛宇的個展“連續劇”(Sitcom),與觀察社的歷次展覽保持了緊密的思想關聯。然而,連續劇卻沒有劇情。方琛宇用他的攝影機和攝像機為我們窺視都市陌生人的私密經驗提供了方便,沉默的窺視伴隨著藝術家獨特的罪疚感,陌生人始終吸引著他。在許多看似無目的或無意義的作品中,靜謐的、帶有好奇心的一瞥激活了整個作品。

    在攝影作品《柏裕商業中心》中,鏡頭對準了這棟建築的出口。一條青灰色日光燈下的大廈通道。我們窺探的慾望被長久的壓抑了,商業中心或繁華之地常常以光鮮亮麗的正面示人,而藝術家卻執意凝視它的死角。 《富德樓》更是一件意味深長的作品,通過細膩的、不動聲色的畫面語言,觀眾被煽動著展開一次心理的冒險。他們甚至希望影像中的那個女人能夠轉過頭來,或者下意識的猜測她究竟在這個狹窄的廚房裡做什麼,以及心情如何。廚房玻璃上閃爍著日光燈的影子,我們不清​​楚是否是由攝像機的閃光燈造成的。這些精心安排的元素使人聯想到馬奈的《女神遊樂場的酒吧》,他的革命性的觀看方式在《富德樓》中被新的媒介和新的話語所激活。藝術家繼承並發展了印象派文化中的浪蕩子視野,但同時又植入了濃郁的後現代氣息。

    個展還呈現了錄像作品《瑣事》。其中的人物是一個無名的都市女子,她面對攝影機不斷敘述自己瑣碎的經驗,包括學游泳和不為人知的夢境。在錄像與攝影之間,藝術家捕捉著時間和經驗的秘密幻覺。他機智的將影像與影像所映射的時間混為一談,並製造了觀眾窺探並佔有某種體驗的假象。在其早期作品中,“販賣偷來的時間”成為他藝術探索的註腳。通過定格、分解他人被窺視時的瞬間影像,方為我們製造了售賣時間的悖論。對於方曾經的同名作品《販賣偷來的時間》,翁子健這樣評論道:“結果那無辜的幾秒誰都沒拿到:藝術家沒有,購買者也沒有。”這是一個關乎於窺探他人隱秘的連續劇,它沒有線索,沒有情節,超越時間而存在。它暗示著我們內心慾望的強烈與曖昧。

    原文: www.artforum.com.cn/archive/4657

  • 方琛宇早期作品

    文 – 翁子健

    當代藝術&投資 Issue 45, 2010-09 P.49-53

    《販賣偷來的時間》

    作品《販賣偷來的時間》玩的是偷換概念。藝術家方琛宇在早上繁忙的時間,按停了住宅大廈的電梯,並拍下了電梯開門關門之間那匆匆的六、七秒。這幾十段六、七秒的錄像,按電梯內的人數,人的表情和反應,定價而售,每段片只售一次,錄像中已賣出的部份會換成「己售 – xxxxx元」的画面,聞說銷路極佳,所有「時間」售罄,作品最後只剩下文字交代各片段的長度及賣出的價錢。

    這個作品的題目及其表面的意義之所以引人注目,在於它聲稱自己不但可捕捉一閃即逝的時間,而且還能偷去販賣,它聲稱可挑戰時間的絕對性。但藝術家所販賣的絕非時間,而是影像。那天早上,電梯乘客(藝術家的可憐的鄰居)有那麼幾秒本不該這樣花的時間,這些時間是絕無法被重朔。結果被販賣的是時間被掠奪過程的影像紀錄,而非時間本身,結果那無辜的幾秒是誰都沒拿到︰藝術家沒有、購買者也沒有。

    至此,觀眾和讀者不難意識到,被偷換掉的兩個概念就是「時間」和「影像」。

    此外,作品的另一部份是販賣的行為。由於錄像可複製,購買和收藏錄像藝術使人卻步,而在《販賣偷來的時間》中,錄像竟以時間之名義被販賣,錄像假借了時間之絕對獨特性,藝術家創造了一種幻覺,似乎有效制約了錄像的量及其價值。

    故此,這個作品的結構是這樣建立的︰亂按電梯本是香港小朋友愛玩的惡作劇,等電梯、乘電梯那點呆滯的、令人不耐煩的時間也是避無可避的香港生活經驗。方琛宇通過這個計劃,將此經驗變成一個藝術主題、一個邏輯遊戲,並利用作品中概念的混淆而將之包裝為似乎合理的商品。

    《跟蹤陌生人》

    人們不斷強調私隱,訂立法律保衛私隱,同時又急不及坦露和干犯彼此的私隱。Facebook勢如破竹地超越Google成為全球最受歡迎的網站,與Facebook相比,Google簡直是一個嚴肅公正忠誠可靠的圖書館管理員!人們登入Facebook時,會不會意識到自己正置於一串無窮的目光之下?Facebook上「朋友」不斷連接,朋友永遠都有朋友,而「朋友的朋友」遙不可及,可以是你一生都不可能遇到的人、或者一個你極其討厭的人,故此「朋友的朋友」就是大他者,是全世界。你某些不願公開的事蹟或照片,隨時被某某認識你的人(甚至不是「朋友」,僅僅是認識你的人而已)發佈在Facebook上,你寶貴的私隱如何被公諸於世,你不會知道,更遑論阻止。

    Facebook的可怕之處正在於此︰即使你不參與,你也避不過它的目光。它的基本動力即是人所共有的好奇心(偷窺癖),這種慾望會不斷被發大,永不滿足,特別是在虛擬的網絡世界。

    方琛宇的作品《跟蹤陌生人》是一個自製的網絡平台,在此他從Facebook或其他網站,收集了任何令他感興趣的別人的資料,並羅列出自己何以對此人產生興趣、對他/她的印象、及想結交他的目的和動機。這裡,藝術家在擔當窺視者/跟蹤者的角色,同時也反思自己追蹤這些人背後的目的和慾望。在這個倒置了的社交網站上,焦點並不在於陌生人的照片和資料是否真的有趣,而在於藝術家在追蹤陌生人時的心理活動的坦露,而這些多屬無聊、平庸的所謂「動機」,多少揭示了在網絡社交中,與陌生人發生「真實」的關係往往無關緊要,最重要的是在窺視陌生人的世界時好奇心獲得的滿足。

    凝視、被凝視和消失的凝視者

    作品《轉眼》是藝術家在巴士旅程時拍下沿路兩旁的風景,片中不斷有途人向鏡頭投以好奇的目光;而在《等待》中,藝術家偷偷拍下了在時代廣場上等待的人的面貌。《轉眼》在裝置上有所設計,仿製了搭巴士的視覺經驗,不難令觀眾感到形式上的趣味;而後者,我們則很容易把它放進Walker EvansHelen Levitt以來的城市紀實攝影傳統。

    事 實上,這兩個作品都是圍繞藝術家一直關注的主題發展出來的。《轉眼》中出現陌生的普通人,他們的面貌、表情和目光,是日常繁忙中短暫一刻的影像紀錄,這與 《販賣偷來的時間》在本質上是一樣的。《販賣偷來的時間》強行中斷人們的電梯旅程,以吸引了他們的目光;而在觀看《轉眼》時,我們則無法確定吸引路人目光 的東西到底是什麼。這個作品的趣味在於︰我們在觀看這個作品時,代入成凝視的主體,並通過那些陌生人的目光和表情想像自我,換言之,別人就是鏡子。

    比 起《轉眼》,《等待》在主題和技巧上都更樸實無華︰時代廣場上那些等待的人普通、陌生、無所事事,拍攝他們並無特別的社會紀實性。這些人只能是純粹審美的 客體,但同時又是一種平庸的美學,而由於是偷拍,凝視者消失了,再一次我們走到這樣的矛盾中,即作品的重點到底在於客體之美還是主觀偷窺產生的快感?從這 作品看來,形式和觀念結構愈趨簡化,方琛如似乎愈來愈著迷於這普通人演出的平淡的戲劇。